Tagged with Culture

Felix Baumgartner Creates a Gap

All over the news a few weeks back was the marvelous feat succesfully completed by daredevel Felix Baumgartner.  Capturing the attention of people all over the world, Baumgartner performed a free fall from 128,100 feet up into the stratosphere. The fervor of the inspired filled conversations both off and online.  But who could forget the ongoing conflict in the Horn of Africa, or the Pakistani schoolgirl who was targeted by the Taliban?  And we haven’t, but wow did we need some inspiring news.  Just for a moment to watch a human do something remarkable.

In a time of global instability and economic uncertainty for a number of leading nations, the challenge for us to stay above the worrisome thoughts that tend to dishearten, slow us down, and otherwise make us feel overwhelmed, hang high above our heads making it all seem too much, and hard to grasp.

Create space in culture, jump from the stratosphere—

Nowadays it is really easy to slip into “the experience” which might best be equated to being tightly wound. All of the world’s events and circumstances become your pool of immersion.   We live intensely with the experiences of the day—we are deeply relating to all of the news, especially the kind that reports on suffrage and strife.

And then comes along a remarkable feat achieved by an individual or group.  Felix Baumgartner recently achieved one such feat becoming the first human to break the sound barrier under his own power.  People often get excited and inspired by individuals attempting to achieve something awesome.  We tune in and follow the build up, we are part of the build up.  I remember when I was a kid, we anticipated for a whole week, and then gathered around the television to watch Evel Knievel jump over a heap of cars.  All us kids in the neighborhood took to the back alley ways behind our yards, sidewalks, and the VFW parking lot to build jumps for our bicycles.  And now we have a new daredevil, doing something who would have thought possible for a human body to achieve?

Baumgartner created a gap.  A gap between what we experience and know to be real—happening now—and what is possible, the very outer edge of possibility.  The speed at which Baumgartner fell, and where he fell from, few will ever reach.  Yet our dreams; the ability to have such aspirations, will be inspired for decades. We step out of our personal experiences that we hover in, and suddenly we dream of walking on the moon.  It may not make a difference if one of us aspires to such heights, but an entire country?

Some would critique the Red Bull funded initiative, as a waste of time, human ingenuity, and of course money.  And perhaps in some ways it is.  In an attempt to make sense of the time we live in today, from the perspective of an entire evolving process, however, it is important to remember  something humans learned a very long time ago (and with a greater limitation of resources).   We understood the importance of being diversified in survival and exploration.  While safety at home was always a concern, exploration is also a necessary.  In exploration you might find new resources, and consequently a migratory passage way.  In exploration your senses tingle as they navigate the newness.  Human resource is always with us, one such resource is our imagination, and if uninspired will grow dull.  Exploration, you might say, is an innate part of the human makeup.

So if we’ve explored the world over, save for places best left untouched, how then do we create that electricity if we can’t migrate into outer-space just yet?  What do we do here on earth, with our time here on earth?

If exploration is an inspirator of our relationship to life, but we’re not going anywhere physically new, what can we explore?  Enter The Gap.

One of the consequences of dealing with the unsettling aspects of migration is that it keeps our relationship to life electric; our instincts stay sharp.  Just a few hundred years later, cozy up to modern day conveniences, and suffer the consequence: the blade goes dull.  In come our latest universal challenges, for which we must now figure out a way to prepare ourselves.

Even though we occupy the same physical space, we haven’t stopped migrating.  Today for the majority of citizens within what are considered leading nations, migration looks a lot different.  Sure relocating to a different city can be challenging, but even a foreign city is familiar.  That place has food, this place offers shelter, that place is where I get currency

Enter the Gap.  When a Human Being landed on the moon, the imagination was set a fire. Space travel became household item.  Children now grow up dreaming of astronautical adventures.  At the same time we received a humbling perspective of Earth within a system.  That humbling experience fuels our inquiry to learn about everything that’s needed to get there, like Space Studies, limits of the human body in outer-space, and so on.  We also got a physically informed sense of how precious this life is.  As far as journeys go, no human being has topped what the recently departed Neil Armstrong achieved, and on a global scale of recognition.  Yet Baumgartner’s work is remarkable nonetheless, because it shows what the human body in collaboration with machine can do.  He achieved something no human body has ever achieved.  He has set a new mark. He has created a gap.  It is a gap between what the majority perceives as limitation, what could be possible, and what has proven to be possible.  While it may be some time before anyone passes Armstrongs mark, Baumgartner showed that there are still many other feats for us to achieve.

So what can we explore?  Today we are still very far off from a majority having the ability to travel into outer-space.  So until then if we want, we can still dream, until then we know that there is more to be done here and now, more to fill our days with, more to explore here.  But the definition of exploration, is unlike centuries ago, it has evolved to include much more now.  We know the physical terrain, but what about the cultural phenomenon discussed within this story?  How do ideas go viral?   How does inspiration spread like fire?  Look to the Gap.  What is the Gap?  It is the space created by an idea of possibility and potential, that we share collectively,  and that space is held by our human consciousness—It is our collective consciousness.

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Majority Rules

[Contemplation] It asks a tough question of individuals.  We are all at some point in the majority, and when you are, how conscious are you of your influence to change things?  Most things are true but partial, no different with this… somewhat inspiring, also cynical.  This question could have a conversation with gentrification, politics, globalization (big gentrification), gender; sex, identity, orientation—the list is expansive.

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Express It Forward—the HOW Conversation (3minVids on Creative Thinking)

Join Ula Einstein (Visual Artist & Creativity Mentor) and myself, as we get to ” the HOW Conversation” in the latest episode of her video series  Express It Forward.

In the last video we discuss the nature of intention, and setting your intention, along with the why and how.  Essentially we cover the HOW of putting your intention into action!

I’ll say this, and then you should just watch the video.  The mind is very powerful, and if left to its own devices can cause a lot of chaos.  Did you catch that?  The mind isn’t just one hunk of thinking mass.

You have what is called a self-aware choosing mechanism, that many other sentient creatures do not have.

You can choose what thoughts you focus on.  You can create the thoughts to focus on.  And in the HOW of following through with Intention, you are constantly coming back to what you have already recognized as a path of potential.  Over and again, despite what came of your day before or not at all… you come back to your Intention in words, and as we discussed previously—in Visuals.

Like chiropractic alignment, you snap back to your Highest Intention.  At first, you will probably extol a high degree of effort, but eventually you will cultivate more permanence of intention.  More than just positive thinking, you will have trained your thought process.  You will have re-routed its direction to a pattern that is generative.

I hope you enjoy the “The HOW Conversation.”  And if you’re curious enough try out what we are suggesting. Please let me know what thoughts around this approach arise for you.

I wish you every bit of success in your endeavors, together we can do this! —Douglas Everett Turner

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Express It Forward—Intention Part 1; Deciding & Defining (3minVid on Creative Process)

Express It Forward offers up 3 minute video clips investigating Creative Practice… its all about the process!

Make a statement, take a stand, and then let’s see where it goes!

There is a big commitment with an Intention.  But don’t let that deter you, in fact, don’t sweat the how just because you’ve stated the What.  Intention is a defining moment, true… and it is also a continual process.  Leave a comment: What has been your relationship to Intention?

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Change and Why We Might Fear It

The drive towards perfection has permeated our relationship to the experience of life.  Have we forgotten, or ever really known, that all of this is only true upon mutual agreement?  As the creator you are free to introduce any element to the story, and all of your creations are subject to judgement.  Yet fear of judgement is no reason to halt or slow the process—it is the nature of this stage of manifestation’s perspective.

We fear change because of its unknown qualities.  Because in our familiarity with today we face a loss

Time Waits For No One

of navigation, if we change the status quo for tomorrow.  As a society we have grown comfortable with a way of knowing life, and the kind of changes we need to make will require us to let most of that go and simply be with the uncertainty… the imperfection of learning to walk again.

With authentic truth and judgement there is pure uncertainty.  Even at the very edges of the explosion that is continually giving birth to life, there exists no glance of future, only imagination.  The explosion is the birth of time, and all else that follows.  The only moment, for sure, is happening right now. Perfection is Nirvana. Yet if life is never-ending, Nirvana is limited only to our relationship to life—but life itself will always be imperfect. Embrace this, and embrace change.

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What About Process?

Last night  at the restaurant, I heard from a gentlemen whose manuscript had just been rejected for the sixth time.  I pat him on the shoulder and jovially said to him, “Oh, you mean you’re six times closer to it getting accepted?”  His eyes immediately lit up, and a big grin came across his face.  I reminded him of some kind of truth.  I suggested he have the intention to continually shift his perspective to the process.

Process by leahshea.com

We are a culture, focused on the outcome.  So many great accomplishments have we, it becomes hard not to always have such a perspective.  Technology, medicine, even fashion—we are rich with materialities.  If we want something, we can press a button and have it shipped to our door by the next day.  If we want to become something, we can go to the internet and search for others who have already become that.  We can go and find their accomplished works, and ingenuity. We see what they have created—the finished product.

Yet how many times have we also heard the story of the published writer, whose manuscripts rejected countless times before succeeding at publishing.  Or, the scientist who makes a great new discovery… we focus on the discovery, and not the fact that it may have taken her a decade to produce the proof that merely validates reason to further study?

Take a look at the Process Perspective, it will expand your outlook, appreciation, and tenacity!

*Art work by Leah Shea.  a 20×20 poster titled  SOSO MUCH.  Visit LeahShea.Com

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REWIND: Intro to Express It Forward (3 min vids on Creative Practice)

When Ula Einstein and I began Shoot, Show, and Share for Express It Forward we knew what our intentions were, however, not what they would look like 100% in action.  It is our engagement with creativity in the raw.  I would say an important tenet of creativity is to always keep in mind that it is a messy process, it is supposed to be that way—it can be no other way.   Creativity requires trust, and a willingness to experiment.  We jumped right in to investigating the relationship with our (as in all of us) creative license; the things that we need to nurture, roadblocks to creativity, and habits to look out for.  All with the intention of  ’getting out there’ with a fresh relationship to our creative processes.  Express It Forward is about creativity-in-motion—not just the talk, but the doing.   Now with three shoots under our belts, we thought it necessary to rewind and touch on the Who/What/Where/and Why of Express It Forward.

(as always Join the conversation! …find us on facebook: facebook.com/ExpressItForward)

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Cultural Navigation Disrupted; BigThink on Tips for Innovators

Three Tips for Innovators: Move Nimbly, Open Wisely and Fail Gracefully | Input/Output | Big Think

Whenever we travel some place new we take a map.  Vaitheeswaran essentially says we’re entering in to a time of global disruption.  What is being disrupted?  Read the article, and you’ll see why I suggest that it is our  ”Cultural Navigation System” that is being disrupted. The most innovative times in cultures across the globe, has been in response to a need and desire.  What gave rise to innovation, is also what thrusts us in to some place new, disrupting our learned way of navigating our entrepreneurial creativity.   Vijay gives us three points to follow: 1) Move Nimbly 2) Open Wisely 3) Fail Gracefully.  Being innovative requires taking risks.  The first risk is doing something you’ve never done before—traveling unchartered territory.  These 3 points I see as practical guide posts on a map.

Vijay Vaitheeswaran surveys the landscape of the global economy and sees “wicked problems,”… And yet, Vaitheeswaran is an optimist. He argues you can find “enormous opportunities for profit–you must move nimbly, open wisely and fail gracefully.”

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Film Review—The Tree of Life: Kosmocentric Realism

If you haven’t heard The Tree of Life is a film that questions immortality from the perspective of an eternity.  The eldest son of a Texas family contemplates his life, as he reconciles with his father. The film came out earlier in 2011.  As many artistic films do, Tree of Life  received mixed reviews from critics and theater goers alike, yet many awards it has won. [24 awards and 15 nominations] Writer Terrence Malik also directs Brad Pitt, Sean Penn, Jessica Chastain, Joanna Going, Fiona Show and Jackson Hurst.  Malik is a Harvard Philosophy Grad, and Rhodes Scholar. His films are typically out of doors, with nature, and steeped with philosophical and spiritual pondering.  Some critics claim that not since Kubrick’s 2001:Space Odyssey has a film dared such cosmic feast.

A visual journey, the movie travels back to before the beginning—blink and you will miss it, because nothing is nothing; the unknowable; the un-tellable story, not even darkness because light had yet to Become.  Flash!  Gases explode and the Universe is born.  Mother and Father are in crisis after they each receive telegrams.  A spiritual contemplation in a secular world, how, why would God be so indiscriminate?  Why, if faithfully mother prays for the safety and health of family does death come in such a cruel and merciless way?  Thy will be done.

The film starts out as Mother contemplates lesson of her rural youth.  You either follow the path of grace (she), or of nature.  Nature can be cruel and unforgiving.  Grace, the opposite—driven by compassion.  Either way, life is imperfect though.  Yet by choosing to live with Grace over Nature, we choose to temper ourselves, we choose wisely over following instincts.  The eldest son, distant from the father, resembles him during his budding youth.  Experimenting with vandalism, steals something from a neighbor and then is wrought with guilt and shame.

Malik’s ideas are that of a Realist.  His film’s perspective is decidedly non-relative.  A spiritual journey  is a human quest, and as much as it asks who or what is God, it asks who and what am I?  In the film Malik takes us only as far as we know, our journey is quite expansive, and this includes billions of years before we came along on the scene.  From the start of our Universe to the first signs of life on earth, through pre-historic times, and the birth of hominids—this process of birth, death, and new life indirectly tells us why we are here.  I say indirectly because  some of the more eloquent moments in the film are without words.  Malik ends The Tree of Life without a definitive; without cornering the nature of the universe, attempting to tame the wild nature of a 14 billion year process.  Spelled Kosmos (the original Greek spelling and definition) points to the sum total of reality which includes mind and spirit.  That is to say, both the knowable and unknowable.  The Tree of Life also ends with a fantasy.

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Guest of Cindy Sherman – A Judgment of Taste

 

Guest of Cindy Sherman, Part 1

Paul H-O’s (Paul Hasegawa-Overacker) documentary film Guest of Cindy Sherman premiered at this year’s Tribeca Film Festival. Paul is an artist who began a public access television show in the early 90s, called Gallery Beat. The premise of the show was to enter gallery premieres, typically modern, predominantly based in SOHO at the time. Permission past the front desk was the first goal of the show. After that, your guess was as good as his was. He would of course show footage of art works and if lucky interview the artist, or any art person in the crowd.

 

The show was a bit brash, even for the village now SOHO art crowd. Somewhat accomplished, Paul had shown in New York City galleries as well, his perspective was from an artist’s point of view. Nonetheless, it was a mockery, tolerated because of its less contemptuous and more humorous approach. Paul possessed a likeable, innocent enough, presence in the crowd. Gallery owners and artists alike engaged him; however, one would rather watch an interview than be the interviewee. One rising artist at this time was Cindy Sherman, best known for her self-portrait photography. Cindy, ever the reclusive artist, granted one of her first interviews to Gallery Beat. She was apparently a fan of the show. One interview lead to a series of interviews and over time Cindy and Paul develop a romantic relationship. As Cindy rises to fame, Paul, in retrospect, deals with his male-ego (always the guest of Cindy Sherman) and the gallery scene is on the move to the large industrial spaces of Chelsea. Gallery Beat is also evolving. The show and Paul’s vibe are a bit more sardonic, the atmosphere is somewhat cynical on both sides of the camera. Gallery Beat becomes the target and instigator of verbal, near physical confrontation with galleries and artists as they become defensive of his oft times sarcastic comments from previous shows. Moreover, as the Chelsea gallery scene lurches into exclusivity the doors of gallery spaces begin to shut in the camera’s lens.

The ‘underground’ television program, once a part of the art scene, loses this distinction as it takes on a more critical approach towards the snobbish scene of Chelsea galleries. Ironically, as Cindy Sherman and Paul H-O make more public appearances as a couple their relationship is solidified, and after a period of absence Gallery Beat is once again allowed access; Paul brings his camera along to an exclusive Hamptons event where the artists are wearing designer clothes. For French Sociologist Pierre Bourdieu (1930-2002), consumption is “a stage in a process of communication” where “tastes function (as) markers of ‘class’.” Prior to the consumption stage one must learn “typically pedantic language” or codes via formal and informal (home) education. A sign of culture and status, this process serves to exclude just as it is an act of initiation (PB, pg 1, 2).

Part 2, Part 3, Part 4, Part 5

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